Content of the lesson:
This program allows us to create moving graphics, visual/special and film effects. It is a composition program and is often used with e.g. 3D Studio MAX or Maya where three-dimensional effects are created after that they are put into the scene by After Effects.
A dialog box with a list of last opened projects is the very first thing that appears after starting Adobe After Effects CS4. It appears together with other icons in the bottom left part. On the right we can see tips of the day and in the bottom right part there is a possibility to look up these tips. But let`s go back to the four icons mentioned above.
The meaning of the icons:
Welcome screen
Signs we can click on:
Try to insert the offered templates into the program.
Templates in the Adobe Bridge program
Final composition in AE program
It is done by clicking on the appropriate icon on the welcome screen or we can found it directly in the program. There it is done via Menu, Composition item and then New Composition...
Creating a New Composition
Start screen 01
Start screen 02
After setting the new composition it is put in the Project panel.
New composition
Workspace
Media import can be done by several ways:
Import via menu
Looking up the file to be imported into the program
Import of the file by a double click or by dragging
Adjustment of a video using tools for improving contrast or balancing colours belong to the simplest usage of this program. Let`s try such an adjustment. We will set a new project now with a new composition and insert the appropriate video into it.
Contrast Adjustment Demonstration
This adjustment is really very simple and we do it the following way. First of all we put the appropriate video in the timeline. Catch it in the Project window and drag it onto the timeline. It is displayed on the timeline as a tape where there are different setting possibilities on the right. Basically, they are layers similar to those in the Photoshop but there are not only static images, there can also be videos. To be able to adjust contrast in this inserted video, we have to find Color Correction in Effects & Presets panel and choose the Levels item. The adjustment is then done using the levels. Then we select the tape of the video on which we want to do adjustments, double click on the wanted effect or we drag it by the right mouse button and move it onto the tape with the video. The application is done. After this operation Effect Controls panel appears next to the Project panel. All adjustments are done in this panel and their change appears in the final video on the timeline.
Contrast Adjustment Demonstration
Another adjustment may be color balance which was mentioned above. The setting is intentionally done so that we can see the difference between the states before and after the adjustment. In real a fine change is done to get the needed result but not to disturb the viewer. As for the effect application, the principle is the same as in the previous case. In this case Hue/Saturation effect has been used.
Dolor balance demonstration
In our case the animation is for example moving a static picture which we are going to demonstrate.
The task was to create the effect of newspaper falling on the table. There are 15 shots that will appear in this way one after another. The shots themselves had gone through photomontage and after that they were inserted into AE to be processed.
If we try to import an image (it can also be a video) on a timeline, we find out that we can see some setting options on the right side of the tape that represents the inserted image. When we click on the small arrow, further options appear. The Transform item is a standard option. If we unroll it and try to change parameters, we find out that we can move the picture, enlarge it or wind it. We can also make it transparent or even invisible. But this is all a static setting that when being selected stays as it is if, of course, we do not use key frames. These are points that are inserted on the timeline in different time and the setting can be different in each of these points. So, if we want to get the image so that it looks like it has fallen on a table we put this image into the starting position (from where it should appear). Here the image is outside the shot and we can see only outlines. We put the image into the appropriate position, enlarge it so that it is closer and rotate it as well. We insert key shots if we have them and move the cursor on the timeline into the place where the picture should be on the table. We insert (or it is done automatically) key shots and make the setting so that it satisfies our wishes. Shortly we set the image so that it looks like it lies on the table. We can also try to move the scroll bar if we have it. We find out that something changes from the first shots to the other ones. This change is linear; we will explain different types later. It is important to know that the values change from the key frame to another key frame and they change continuously. Just to make the fall softer we set the other key frames as follows. Click onto the key frame by the right button and choose Easy Ease.
Keyframe Assistant
It is also possible to switch from a linear transition to another in the same menu.
Keyframe Interpolation
Window with an in-process animation